Sunday, 11 November 2012

LEVENS PARK [Deer Park]10-11-12

 




The idea was to do the walk alongside the River Kent through Levens Hall parkland, crossing the bridge near Sedgwick and coming back on the other side. But it was fair chucking it down and we sat in the car and stared gloomily at the windscreen and very nearly took our boots off again. But it did stop and we braved it. I'm glad we did.

The trees had the last of their autumn colours and there are Tulip Trees - yellow and green and a redwood that smelt cederous with ferny needles a pinky tan. Beaters were gathering and the pheasants were in for it. On the far side a red tractor trundled along chased by the Bagot goats . They are black and white with long silky hair and huge elegant curving horns. Over the brow of the hill the guns and their dogs were waiting. The red tractor came along – I expect it was bringing something fortifying. They must have been frozen rigid.
A tiny thing ran and ran away from us, if it was a female pheasant it was very scrawny – we saw a male and a couple of females scurrying at the foot of a hedge and where the path bends away from the river leading you out of the park another handful of pheasants ran along the wall and one bobbed under the gate.

There's two muddy fields to cross, which are a pain and you turf up on the Lane by Park Head cottage. Follow it along and little birds are playing chase in the trees, long-tailed tits, blue tits and chaffinches. Then you go down steps to cross beneath the A590 on a concrete terrace built into the road bridge over the river. It is an odd place, surprisingly beautiful, and there is a wee wooden cabin on the opposite bank. Downstream a heron stared from a mid-stream island.

You come out by a couple of cottages and the river here is dropping over terraces, some look like mill races (there used to be a gunpowder works somewhere hereabouts), but some are natural terraces of limestone, the higher ones flat undercut plates sitting above the flow. This lane joins the road to Sedgwick as it crosses the river. This is Pigwilly Wood! Water was gushing into the river from little waterfalls, dripping from the limestone in veils and a stream burbling down in a torrent.

That lane is a bit tiresome and it rises to cross the 590. Dropping down afterwards is the entrance back into Levens Park on the Eastern side of the Kent.

This is a fine avenue of oak all the way back. And all in yellow and brown autumn clothes. Behind one trunk were hiding two minute goat kids about 12” nose to tail. I hope their mother remembered to come back for them later.

By the time we were coming to the end of the avenue the guns and their dogs were going back to the hall, one guy passed us carrying eight male pheasants as I could see and a couple of them pretty nice and plump.

The deer herd had made its way down to a flat area near the river. They are Black Norwegian Fallow deer apparently which would account for them being black! – there must have been twenty to thirty head of them. A fine buck, two young bucks, the rest does.

Good day!

Friday, 5 October 2012

A night of 7” vinyls

Tonight, scrubbaging in the Danish basket of 7" vinyls, we happened to listen to . . .


Of Montreal, I was a Landscape in your Dream (2004)



Thee Moths (Alex Botten), So Many Different Suns (2010)


Lucky Pierre (Aidan Moffat) Sometimes I feel Like a Motherless Child (2000)


The Moody Blues Night in White Satin (1967)
Back in the day, music videos like this could be seen in pubs on a Scopitone, the first of which were made in France. Our Mike remembers seeing one (he would) in Jersey when he was 12 (1963). I didn't know this:

Anti Vietnam war lyrics."Knights in white satin, never reaching the end"...Soldiers that don't make it to the end of their tour in Vietnam are returned in coffins lined with white satin. "Letters are written, never meaning to send"... soldiers write the "letter home" in case they are killed and keep it in their locker, hoping it is never sent. Hidden meaning at a time when the censors wouldn't allow anti-war sentiment in any media.

Longpigs Blue Skies (1999)


George The Summer of Stars (1999)


Empress Drink the Town Dry (2003)

Rothko remix of Hefner's Alan Bean (2001)





 

Tuesday, 26 June 2012

 
Harsh Majesty

Someone – well it was Michael Holland – said to me, “ I dunno - why, Richard Skelton? What is it? I don't really get it. I can take or leave him really.”
Now I have sympathy with this point of view because when I first heard Richard Skelton there was such a hoo-ha , such a critical acclaim thing going on but when I listened I remember thinking it was scritchy scratchy,  just a heap of unpleasant sounds threaded through some otherwise pleasant drone. It was, to my mind, “spoiled”.
I thought, I bet this one's an awkward bugger.









But now I find it hits the spot. There is some itch I did not know I had. Skelton scratches it.
This is drone that could not be used as a background to the diaphanous, formless Northern Lights, oh no. Instead it is full of “all trades their gear and tackle and trim”. It is built of iron sounds, of teeth grinding through metal, of grit and sharp rock. Although it ends as drone: although it ends as a deep wide soundscape, it is built, not of water or air but from the breath of work, of abrasion. From life shaped by constant small contact with sharp edges. It is a soundscape redolent of the forge, of iron and of tearing flakes of rust.
I am listening to a couple of pieces Skelton's written about hills: Black Combe in the Lake District and Cappanawalla in Galway. Both overhang the sea and both - is it coincidentally? - face into the west. In them is a lyrical flow that might describe their flowing skylines and yet they are built from harsh wailing sounds that might be rock pushing against rock, mountains building or weathering, sounds that might be the hard bright glitter of sunlight on waves.
I really like Richard Skelton's work now. I am a sucker for drone, its slow hypnotic builds, the way its swathes swirl around like mountain mist, and I am provoked and needy about the hard edges of the sounds Skelton uses.
So, no. I can't “take or leave him” really. His cracked and unflinching look at nature, it seems, has something to say that I need to hear. And the unexpected overall beauty that emerges from God-knows-where maybe pretty much describes the way things are.



Tuesday, 20 March 2012

Hibernate at St John the Baptist in the Wilderness, Cragg Vale (near Hebden Bridge) West Yorkshire. 18th March 2012 with Wil Bolton, Pimmon, riverrun and film by Antonymes.

This morning when I switched on the computer - the map for St John's was looking at me.
Of all the improbable places we've visited for gigs, this is right up there. It nestles in a crinkle of a serious West Yorkshire moor, more than half hidden. Its full name, St John's in the Wilderness, seemed – in the black March night - appalling apt. It was pitch dark when we arrived, only the faintest glow from the windows indicated this might be the place. Cautiously turning every doorknob, a low blur of melody meant yes, it was right. Dark sank from the ceiling, our names were on a list that it was next to impossible for anyone to read. A couple of candles glowed.




We slid into a rear box pew. Pictures of worn steps, floor tiles, pews, slowly drifted on a screen. We caught the final five minutes of an unfurling, shifting soundscape (riverrun from Manchester).
The second chap was Pimmon, who is from Australia but very good mannered, “This is the first time I've played in your country and I'm honoured to be here.” All the way from Australia and you end up half-way up a moor in the 'scuse me shitty back end of Yorkshire! Ah well, really is time I stopped being surprised.
For Pimmon, Mr. Hazeldine had provided footage of a wavelets drifting over the sand, crossing and ebbing. But after a while, even these minimal visuals seemed a distraction; I just closed my eyes and listened. Pimmon's laptop did the usual things – clicks, whistles, breathing rises and falls, golden glow. I opened my eyes and watched the candles on the window ledges flicker, lighting now more now less of the stone arches. A pillar to the left cut across the view of a tall lancet window. And it was alright. Outside was black untamed night and who-knows-what but the church ploughed forwards, time running from her bows, the threaded golden glow warmed us. Not that all was honey and perfection for chunks fell off the ship that Pimmon built but with a little moue of his mouth and tiny shake of his head he patiently began again built himself a little castle, a place which caught him singing silently and ecstatically for a few moments. You have to treasure surprises when they happen.
Then we went outside, many people did. Jupiter stood above Venus and both shone through the narrow door. From the cup of the valley we were stunned. So many stars. Such a glittering peace. A stream racketed somewhere. It seemed a beautiful place.



Then a film and soundtrack from Antonymes. You can't go wrong with a bit (or even quite a chunk) of Antonymes who is secretly (not very secretly) Ian Hazeldine, an affable chap who has adventures in Wales. His film politely credited the locations he'd shot as if they and not he were the true star: Jodrell Bank, Ironbridge Power Station, a country park. The elements he explores sit neatly with Hibernate 's stable. The night was put on by Jonathan Lees (Mr. Hibernate) who has put out rather a lot of beautifully presented, often limited edition CDs – some in little cloth or knitted covers - and whose postcard series of 3” CDs is elegant and tasteful. Nature and simplicity to the fore. Where Ian's work is piano-based; Will Bolton, who was last on, bases his on guitar. He sits hunched at a table, a little white anglepoise lamp shining over a few boxes of twiddly knobs - stares at his computer, strums his guitar absetmindedly and tweeks knobs carefully.







I like Will Bolton's stuff. It is very ear-friendly but when you're sat so quietly listening I think you need more meat. No doubt will Bolton will continue to delight us every time we play it in the living room where Pimmon will probably cause us to go Oh for F***s sake when it catches us unawares and we're not quite paying attention. Some music is for deep listening; some is not. And you need both.


Sometimes the overheard bits at gigs are rather nice, “Disappointing” - this of the Hazeldine film - “The water. I was fine until the water. It all made sense. But the water just threw me.” It was, of course, tongue in cheek. And – of Hibernate, “Typical attention to detail . . . a little card, I don't know if you saw one, with the running order . . .” Then outside, under the awful stars, “ . . .once saw Orbital . . . better than sex really”. With Hibernate's “typical attention to detail” in between of things there was tea and coffee in cosy Hibernate mugs and everyone was presented with a Hibernate 3” postcard CD by Pimmon. All ather special.
www.hibernate-recs.co.uk


Friday, 17 June 2011

Minute Papillon

 
track title                                                                         artist

Textra                                                                             [01]   Martin Hall
Spectral Fist                                                                   [02]   Gareth S Brown
Minute Papillon                                                             [03]   Cédric Pin
Santana Al Mercato Del Pesce                                      [04]   (r)
Buddha Said                                                                  [05]   Pete Astor
One Minute                                                                    [06]   Franck Alba
But if I Glance                                                               [07]   Hannah Peel
Some Birds Are Bigger Than Others                            [08]   Opiate
Sonic Seconds                                                               [09]   Wixel
Tekstur                                                                          [10]   Jannick Schou
A Dance For Killing Children                                      [11]   Xela
Cuffs                                                                             [12]   Dollboy
Fragment (1440 Frames)                                              [13]    Ellis Island Sound
New Cross Counterpoint                                              [14]   Jenny Brand
Seagrove                                                                       [15]   James Brewster
Requiem                                                                       [16]   Jasper TX
La Meant Lament                                                         [17]   sanso-xtro
SIX-TEN                                                                      [18]   Roll the Dice
Victorian Machine Music 9                                          [19]   Plinth
Ville Endormic                                                             [20]    Ensemble
Piece of String                                                              [21]    Directorsound
Another Consonant                                                       [22]    Textile Ranch
Revival                                                                         [23]    The Home Current
Know Your Place                                                         [24]     Darren Hayman
Gold Limited                                                                [25]  Heather Woods Broderick
Keefer                                                                           [26]    Fieldhead
28/6/2010 16:31 Cevennes National Park France        [27]    Olivier Namblard
Glimpse                                                                        [28]    M. Ostermeier
Do Electric Sheep Dream of Carnivorous Plants?       [29]    Felix Kubin
Happier With A Hoover                                               [30]    ISAN
Mutant Afterlight                                                         [31]    Scanner
Gehakketak                                                                  [32]    Machinefabriek
The End Is Always Near                                              [33]    Gareth Dickson
Autre Language                                                            [34]    Ark of Noise
Neishtadt Suggests 9                                                    [35]     Relmic Statute
Lit & Shot                                                                    [36]     micro boredom
Miranda Grey                                                               [37]     Ringinglow
Simplistic When                                                           [38]     Offthesky
Pheromone                                                                   [39]      Lene Charlotte Holm
There's Not Much Summer Left                                  [40]      brave timbers
Martyrs                                                                        [41]      Richard Moult
St Joseph's Seminary                                                   [42]      Tyneham House
Fox Hole                                                                      [43]      Clem Leek
Once Found                                                                 [44]      Isnaj Dui
Stockhausen_Experience-remix2010                          [45]      Fureasteen
1992 Brother                                                                [46]     Junkboy
Swift Visit                                                                    [47]     Rickard Jäverling
Honor Oak                                                                    [48]     Primitive Northerner
Held                                                                              [49]     Seasons (pre-din)
Untitled                                                                         [50]     Danny Norbury
Miniature Anthem                                                        [51]     Winter Cabin
Descend in One Minute                                                [52]     d_rradio
Overgrown in the Undergrowth                                    [53]    Hybernation
Ending Developments                                                   [54]    Will Long
Wave                                                                              [55]    The Boats
Lightly Lightly                                                              [56]     Dustin O'Halloran
Song for Lliso                                                               [57]     30Km Inland
Obviate                                                                          [58]     Dirk Markham
Film (end)                                                                     [59]     Message To Bears
Sun Setting Over A Lake                                              [60]     P Jørgensen


Sunday, 8 May 2011

KRAAK All-Dayer

 
Kraak All Dayer

Stevenson Square

Manchester



Joint MIE & Hibernate promote

7th May 2011

Henry MIE, Danny Saul, Mike Cook, Stephan Mathieu, BJ Nilsen, Wendy Cook, Martyn Walker 

It was all alright in the end but we all know computers were designed to make grown men cry and though there were no actual tears, more than one unhappy soul made his way through a thorny afternoon.

Ithaca Trio (Oliver Thurley to his mum), busy working on something more complicated than string theory for his MA, decided to showcase it prior to his MA performance piece in three days' time. But the piece of wonder when transferred to the laptop fell over, leaving Ithaca Trio and Tom I'Anson (trombone) on the Leeds – Manchester train with no discernible purpose. Undaunted our heroes composed a new piece en route and despite two noticeable coughs from the computer and a brief (Stan) Laurelesque head-scratching it certainly sounded like music. Well the bits that didn't sound like a trio of Salford busses or a cow in labour.

Talvihorros was less melodic than I'd hoped and at one point decided to explore that interesting fingernails-on-blackboard sound that everyone's so fond of. 

Richard A Ingram, having spent the last ten years of his life standing on stages across the planet as one fifth of Oceansize, was a bundle of nerves for his maiden solo appearance but all went hitch-free as he launched some rich piano samples to bookend a tightly structured crashing core of static.

Simon Scott was next victim to the technical gremlins - his short AV piece refused to come out to play. A gallows was glimpsed outlined against a twilight sky. There were rumours of contact mikes and creakings in the wind but it all remained just a concept.

Relmic Statute is one of the Leeds lot – some while back we saw his maiden performance there where he looked awfully worried. It must be his trademark look. Despite reasonably melodic murmurings he remained miserable throughout.

Danny Saul is a very naughty boy and plays too loudly and hurts eveybody's little ears. And that's a shame because he can produce interesting noises and much of the time he does.

Rob Curgenven, working as TSU with Jörg-Maria Zeger hopped around like a jolly sparrow laughing at the band-practice noises that were leaking from upstairs. Sadly I can remember little of their set beyond dour agricultural pacing from Zeger, ploughing his guitar beneath Curgenven's electronic sunshine and showers.

Simon Scott was living in hope of a wi-fi link which, as things were getting seriously behind time, I rather hoped would fail to materialise but when we returned from The Castle he was in full flight.

BJ Nilsen, Norway, was the next to lay his head on the block and give those gremlins more fun. Pro Logic hung, the rainbow wheel of death spinning and BJ Nilsen threw a wonderful tantrum scratching jack plugs in his palms and flinging things across the floor.

Stephan Mathieu, a neat disciplined German, set up with care and played his set with calm concentration, nudging 5 e-bows with their tiny blue lights like careful chessman. He created an expansive miasmic shifting field of sound. No peaks, no earth-rending cracks here but an enveloping eternity conjured smehow within the finite limits of a 40 minute set in an undistinguished warehouse in this northern industrial town.

Meantime a convocation of wizards assembled on the stone stairs, beardy men with bright ideas about inflicting their human wills on a wilful computer and Lo! eventually it was mended. So, late in the day, BJ Nilsen took to the floor again to rather grand effect for he had waterfalls, bells, and noises hurtling from left to right. Sometimes he grinned, sometimes wound knobs with gritted teeth, nursed a drawn out coda and silence. He looked relieved. 

Like I said, all came right in the end.